Fudan University, China
Profile
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🎓 Early Academic Pursuits
Wu Hong's academic journey began at the prestigious London School of Economics and Political Science (LSE), where she earned a BSc in Mathematics and Economics (2010–2013). Though her undergraduate background was rooted in quantitative disciplines, her intellectual curiosity gradually gravitated toward the arts and humanities. This transition led her to pursue an MA in History of Art and Archaeology at SOAS, University of London, where she developed a foundational understanding of Asian art history and archaeological research methodologies. These formative years laid the groundwork for her deep engagement with Buddhist art and transregional cultural studies.
👩🏫 Professional Endeavors
Wu Hong is currently an Assistant Professor at the Department of Philosophy of Art and Art History, Fudan University, a position she has held since September 2020. Her academic career also includes international teaching experience as an Adjunct Lecturer at the University of Vienna, where she taught the undergraduate course Introduction to Japanese Buddhist Sculptures in Fall 2018. Her interdisciplinary training and teaching reflect a robust engagement with both philosophical inquiry and art historical analysis.
📚 Contributions and Research Focus
Wu Hong's primary area of research centers on early Buddhist sculptures in Japan, focusing on their transnational and transcultural significance. Her PhD dissertation, titled A Re-examination of the Early Buddhist Sculptures in Japan, challenged existing narratives by offering a nuanced interpretation of iconography, materiality, and stylistic influences. She conducted pivotal fieldwork and scholarly research during her time as a Research Fellow at the Institute for Advanced Studies on Asia, University of Tokyo (2019), and as a Research Student at the Institute for Research in Humanities, Kyoto University (2017–2018). Her work demonstrates a sophisticated engagement with visual culture, religious transmission, and regional aesthetics in East Asia.
🌏 Impact and Influence
By integrating Japanese Buddhist art within a broader East Asian framework, Wu Hong’s research contributes significantly to the fields of Asian Art History and Religious Studies. Her comparative and cross-cultural methodology has provided new perspectives on the mobility of artistic traditions and the historical interactions between China, Korea, and Japan. Her work has begun to influence emerging scholarship in transcultural art history, especially among researchers examining religious artifacts in their sociopolitical and ritual contexts.
🔍 Academic Citations and Recognition
Wu Hong’s dissertation committee featured internationally renowned scholars such as Prof. Yukio Lippit and Prof. Sherry Fowler, indicating the scholarly rigor and credibility of her doctoral work. Her academic contributions are increasingly cited in research on East Asian Buddhist art, reflecting her growing influence within the academic community. As she continues to publish, her scholarship is expected to gain broader recognition across the global academic landscape.
🛠️ Technical Skills
In addition to her deep knowledge of art history and philosophy, Wu Hong brings interdisciplinary proficiency to her research. Her early training in mathematics and economics equips her with analytical rigor, while her fluency in English, Japanese, and Chinese allows for primary source analysis and cross-border academic collaborations. She is also adept at utilizing archival research methods, digital humanities tools, and object-based analysis in her art historical investigations.
📖 Teaching Experience
Wu Hong has demonstrated her commitment to academic mentorship and pedagogy through her roles at both the University of Vienna and Fudan University. Her courses combine visual analysis, historical context, and philosophical reflection, fostering critical thinking and cross-disciplinary exploration among students. Her teaching integrates primary object study, textual analysis, and museum-based learning, equipping students with a comprehensive understanding of art history.
🧭 Legacy and Future Contributions
As a rising scholar in Asian art and philosophy, Wu Hong is poised to make lasting contributions to the redefinition of Buddhist art history in a global context. Her future projects aim to further explore the intersections between ritual, memory, and artistic expression in East Asia. Through upcoming publications, academic symposia, and collaborative research initiatives, she is set to become a leading voice in the ongoing conversation about cultural exchange, religious art, and visual theory.
📚 Selected Publications
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Title: Anchoring the Sacred in the Mundane: Construction of the Great Buddha Bend in Baodingshan, Dazu
Author: Wu Hong
Journal: Archives of Asian Art, vol. 74, issue 2, pp. 129–151
Year: 2024
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Title: The Neglected Dress—Re-Evaluating the Iconography of the “True Visage” (Zhenrong) Mañjuśrī
Author: Wu Hong
Journal: Religions, vol. 15: 432
Year: 2024
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Title: Magnifying Statuettes: The Artistic Production of the Earliest Reconsidering Buddhist Statues in Japan
Author: Wu Hong
Book Chapter in: Dynamics of Interregional Exchange in East Asian Buddhist Art, 5th–13th Century, edited by Dorothy Wong
Publisher: Vernon Press, Wilmington
Year: 2022
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Title: 汉地早期佛像观念新探 (Handi zaoqi foxiang guannian xintan) – Reconsidering the Notion of Sacrality for Chinese Buddhist Statues from the Second to the Sixth Century
Author: Wu Hong
Journal: Fudan Xuebao (Journal of Fudan University)
Year: 2021
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Title: 汉地早期造像记的发展—基于印度视点的考察 (Handi zaoqi zaoxiangji de fazhan – jiyu yindu shidian de kaocha) – The Development of Early Donative Inscriptions in China: Looking Through an Indic Perspective
Author: Wu Hong
Journal: Yishuxue Yanjiu (Journal of Art Studies), Issue 4, pp. 96–106
Year: 2020